literature

  • Koncepcja Sustainability - stań badań w świetle literatury przedmiotu

    Author: Adrian Dudkiewicz
    Year of publication: 2015
    Source: Show
    Pages: 113-121
    DOI Address: http://dx.doi.org/10.15804/ksm201507
    PDF: ksm/20/ksm201507.pdf

    The article presents the essence of the sustainability concept in the light of literature, including history and development in later years, and definitions published by scientists from Poland and the rest of the world. This publication also presents a study on the rapid growth in popularity of this concept in the world and examples of implementation of sustainability in companies.

  • Зобразити війну

    Author: Ярослав Полішук
    E-mail: y.polishchuk@kubg.edu.ua
    Institution: Київський університет імені Бориса Грінченка (Kijów, Ukraina)
    Year of publication: 2017
    Source: Show
    Pages: 27-50
    DOI Address: http://dx.doi.org/10.15804/PPUSN.2017.03.03
    PDF: pomi/03/pomi201703.pdf

    How to Represent War. The hybrid warfare going on in Donbass has had consequences on the informational and cultural spheres in Ukraine. It is a war for influence where Ukraine cannot adequately confront Russia because it does not have the necessary recourses and a developed media culture. The number of literary works about the war published in the last few years show that Ukrainian writers want to challenge the discourse on war. Between 2014 and 2016 numerous novels, stories, essays, reports, and poems were published by such writers as Halyna Vdovychenko, Yevhen Polozhiy, Sergei Lozko, and Vladyslav Ivchenko. These authors try to show all the horror of the war and the changing attitudes and consciousness of Ukrainians. The issue of forming a new Ukrainian collective identity is reflected in contemporary literature.

  • „Babcia Austria”, Polonia rediviva i pułapki losu. Tadeusza Kudlińskiego glosa przewrotna do porozbiorowych dziejów – Saga rodu Grabowskich

    Author: Stanisław Kryński
    E-mail: krys04@op.pl
    Institution: Uniwersytet Rzeszowski
    Year of publication: 2018
    Source: Show
    Pages: 89-107
    DOI Address: https://doi.org/10.15804/hso180306
    PDF: hso/18/hso1806.pdf

    This paper is an interpretation of Poland’s post-Partitions history as depicted in The Grabowski Saga, a story by Tadeusz Kudliński (1980). The focus is on the attitudes of the conservative Galician landed gentry to insurrectionary ideas.

  • Gli scrittori della ‘Fionda’: considerazioni sull’editoria della letteratura per ragazzi in Croazia

    Author: Eliana Moscarda Mirković
    E-mail: emoscarda@unipu.hr
    Institution: Juraj Dobrila University of Pula
    Author: Tanja Habrle
    E-mail: tanja.habrle@gmail.com
    Institution: Juraj Dobrila University of Pula
    Year of publication: 2017
    Source: Show
    Pages: 121-135
    DOI Address: https://doi.org/10.15804/IW.2017.08.07
    PDF: iw/08_1/iw8107.pdf

    The Writers of ‘Fionda’: Considerations on Publishing Children’s Literature in Croatia

    A small community of Italians lives in Croatia, mainly in the area of Istria and in the city of Rijeka, in a multi-ethnic and multicultural environment of history and tradition. The national Italian community in Croatia has an autochthonous presence and tries to preserve its own national and cultural identity. This is done especially through intense and polyhedral artistic activity, ranging from literature to theatre and music, from painting to sculpture, and from photography to design. In 1952, in order to keep up with the cultural development of this community, the publishing house EDIT (EDizioni ITaliane) was founded. In Croatia and abroad, it publishes and promotes books dedicated to Italian authors from Istria and Rijeka, with a series focused on memoirs; modern and contemporary fiction; poetry; and literature for children and youth. Thus, it supports the literary creativity of the writers living in this area. In order to address childhood, EDIT started a junior series called “La Fionda” in 2005, with the mere intention of pointing out the ludic dimension of books and of rousing the imagination of young readers. This article examines the connection of this series to literature for young readers through the analysis of the works of the authors promoted by “La Fionda,” positioning these authors in the socio-historical environment in which they were working. The series expressly attempted to conduct a linguistic investigation linked to artistic and literary reflections within these publications.

  • Sopra-vivere nell’inferno: una eredità calviniana

    Author: Stefano Redaelli
    E-mail: redaelli@ibi.uw.wdu.pl
    Institution: Uniwersytet Warszawski
    Year of publication: 2016
    Source: Show
    Pages: 163-176
    DOI Address: https://doi.org/10.15804/IW.2016.07.09
    PDF: iw/07/iw709.pdf

    SURVIVING IN THE “INFERNO”: A LEGACY OF CALVINO

    the present study aims to highlight two survival strategies in the “inferno of the living” that emerge from the analysis of Invisible Cities: lightness and gaze. the value of lightness is visible in the “thin cities”, which share a fragile architecture, the contrary reaction opposing the heaviness of living, the distance from the ground. “the hidden cities”, in turn, provide the motive for a reflection (a lecture) on gaze, with the aim of training the gaze to “recognize that which is not hell”: the happy city inside the unhappy city. In Invisible Cities, Calvino’s gaze still has an ethical and civic function (present in The Day of a Scrutineer). this function, however, will give way to the epistemic and scientific function of Mr. Palomar (from The Cosmicomics onwards), whose eye is exclusively concerned with measuring the limits of knowledge, which never extends, in a revealing way, from the natural world to the human world. thirty years after Calvino’s death, amongst the many legacies leftby his multifaceted literary work, we can recover the ethical and civic dimension expressed by the values of lightness and gaze.

  • Dati iniziali sulla reduplicazione linguistica nella lingua letteraria vigatese: la reduplicazione degli aggettivi tra diegesi e mimesi

    Author: Pietro Mazzarisi
    E-mail: pietro.mazzarisi@unimore.it
    Institution: Università degli Studi di Modena e Reggio Emilia, Italia
    ORCID: https://orcid.org/0000-0002-2208-9398
    Year of publication: 2020
    Source: Show
    Pages: 17-39
    DOI Address: https://doi.org/10.15804/IW.2020.11.2.2
    PDF: iw/11_2/iw11202.pdf

    Preliminary Data on Linguistic Reduplication in the Literary Language of Vigatese: The Adjectives’ Reduplication between Diegesis and Mimesis

    The article presents the results of research on linguistic reduplication in Vigatese, the literary language invented by writer Andrea Camilleri. This is an aspect of Camilleri’s storytelling that is often noted by scholars but that has not yet received a dedicated study. The research is conducted on the corpus of 101 texts starring Salvo Montalbano—composed of 29 novels and 72 short stories published between 1994 and 2020—within which about 300 different reduplication forms and more than 2,200 total occurrences have been recorded. Here, the data on the expressive reduplication with adjectives are given: 64 forms with 379 total occurrences analysed for different literary scales, at sentence level and paragraph level. The collocations within the corpus, the possible spelling variations, and whether the use is in mimesis or diegesis are restored. The methodological approach is of a mixed-methods nature: a digitally assisted text analysis (DATA) following the concept of scalable reading (Mueller, 2014) follows the traditional close-reading analysis. A second analysis of the data on the diegetic and mimetic axis was carried out. The results obtained were then used for a data-driven comparison conducted on the corpus of all of Giovanni Verga’s narrative works. These initial results show that three out of every four reduplications are a diegetic recurrence. Despite the extensive use of mimesis in the texts, the true orality of Camillerian storytelling seems to reside elsewhere. This research is part of a broader study of all narrative texts under the general hypothesis that the formal equivalents of the writer’s popularity are to be found in the repetitiveness that was originally, and perhaps too hastily, criticised.

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