pastorałki

  • Analiza muzycznych środków wyrazu jako klucz do wykonania cyklu kolęd i pastorałek Narodziła nam się dobroć Stanisława Hadyny

    Author: Agnieszka Panas
    E-mail: a.panas@uwb.edu.p
    Institution: Uniwersytet w Białymstoku, Polska
    ORCID: https://orcid.org/0000-0003-3219-2767
    Year of publication: 2021
    Source: Show
    Pages: 122-142
    DOI Address: https://doi.org/10.15804/kie.2021.01.07
    PDF: kie/131/kie13107.pdf

    The cycle of fourteen carols and pastorals by Stanisław Hadyna is one of the author’s lesser known works. It was created as a result of cooperation between the composer and two great artists - Kazimierz Szemioth and Władysław Ochman. Analysis of the pieces has been conducted with use of specialized literature on musicology, folklore and literary studies supported by practice as a singer and choir director. The goal was to study author’s possible inspirations, to underline the relationship between music and lyrics, to present selected vocal difficulties and to look at the cycle as a whole. Research has been performed with the use of the monographic method. Practical activities consisted of analyzing the score, source text, publications and recordings. Following sources were used: Narodziła nam się dobroć [Goodness was born] by Stanisław Hadyna (lyrics - Kazi mierz Szemioth, Officina Silesia, 2009) and recordings of Wiesław Ochman and Capella Arcis Varsoviensis (dir. Marek Sewen, 1985). As a result, it has been proven that analyzed pieces have their origin in traditional Polish songs. Conclusions from the analysis demonstrate importance of lyrics which form a part equally important to music. In summary, awareness of means of expression used by composer is key to performance of the work.

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