translation

  • (Nie)istnienie idealnego przekładu poetyckiego Wybrane problemy związane z przekładem współczesnego utworu rosyjskojęzycznego „Posłanie L. S. Rubinsztejnu” autorstwa Timura Kibirowa na język polski

    Author: Karolina Bugajska
    E-mail: kari.buga92@op.pl
    Institution: Uniwersytetu Jana Kochanowskiego w Kielcach
    Year of publication: 2018
    Source: Show
    Pages: 209-220
    DOI Address: https://doi.org/10.15804/tpom2018214
    PDF: tpom/28/tpom2814.pdf

    The existence or no existence an ideal poetic translation. Selected problems related with a translation by Timur Kibirov’s poem Posłanie L. S. Rubinsztejnu to Polish language

    This article addresses a problem of ideal / imperfect translation. The thesis about the existence or non-existence of an ideal translation is verified on the basis of the original Russian- language poem by Timur Kibirov and a translation by Jerzy Czech. After analyzing the formal and content aspects of both poems, the following conclusions were drawn: the original and translation can not be one hundred percent identical due to the omissions and changes made by the translator and elements of culture that are not transferable in the target culture.

  • LA DIDATTICA DELLE PREPOSIZIONI IN ITALIANO L2: UN APPROCCIO SEMANTICO-COGNITIVO

    Author: Ida Tucci
    E-mail: ida.tucci@gmail.com
    Institution: Università di Firenze
    ORCID: https://orcid.org/0000-0001-9940-2031
    Year of publication: 2018
    Source: Show
    Pages: 277-303
    DOI Address: https://doi.org/10.15804/IW.2018.09.27
    PDF: iw/09_2/iw9214.pdf

    TEACHING ITALIAN PREPOSITIONS TO FOREIGNERS: A SEMANTIC-COGNITIVE APPROACH

    This paper presents a series of reflections aimed at simplifying and rationalising the teaching of Italian prepositions in plurilingual learning classes, with particular attention paid to how to classify prepositions and what the best strategy is to introduce them.
    Generally, Italian L2 books present prepositions in a disordered manner, spread over numerous units. Especially in monographs, prepositions are described within more organic categories; nevertheless, this setting exhausts its explanatory aims by matching the various cases to specific nomenclatures, similar to those used by logical analysis, and mostly exemplified by fictitious examples. We noticed that this strategy disorients the learner, who often fails to fully understand the meanings associated with the various Italian prepositions and opts for mnemonic learning. The danger is also that the student more willingly entrusts the translation of certain meanings from L1 to L2, resulting in fossilisations that are difficult to “correct.”
    In the preparation of the didactic materials designed for students enrolled in the Centro di Cultura per Stranieri–University of Florence, Italian prepositions have been grouped into four macrocategories, which, from the semantic-cognitive point of view, have intrinsic affinities in many spoken languages, although they do not fall under the same grammatical nomenclature. In this way, the learner is given the opportunity to actively participate in the formation of an L2 competence and to consider the differences and similarities in L1.

  • Ricerche polacche sulle traduzioni di letteratura per l’infanzia e l’adolescenza: il bicchiere mezzo vuoto o mezzo pieno?

    Author: Natalia Paprocka
    E-mail: natalia.paprocka@uwr.edu.pl
    Institution: Uniwersytet Wrocławski
    Year of publication: 2017
    Source: Show
    Pages: 141-164
    DOI Address: https://doi.org/10.15804/IW.2017.08.22
    PDF: iw/08_2/iw8208.pdf

    Polish Research on Translations of Children’s Literature: The Glass Half Empty or Half Full?

    The aim of this paper is to offer a comprehensive review of Polish research on translations of children’s and young adult literature. In the first part, I outline which disciplines are represented by Polish researchers who specialise in this subdiscipline, and then I present in chronological order the development of research from the 1960s, through the fertile period of the turn of the millennium, to the most recent years. Furthermore, I outline the general trends and orientations visible in research on this type of translation, placing particular attention on Polish researchers’ references to general research in Translation Studies.

  • “Quello stregone che non era altri che lui, James Joyce di Dublino”: le traduzioni di The Cat and the Devil in Italia

    Author: Annalisa Sezzi
    E-mail: annalisa.sezzi@unimore.it
    Institution: Università di Modena e Reggio Emilia
    Year of publication: 2017
    Source: Show
    Pages: 137-171
    DOI Address: https://doi.org/10.15804/IW.2017.08.08
    PDF: iw/08_1/iw8108.pdf

    The Translations of James Joyce’s The Cat and the Devil in Italy

    This article sets out to explore the dynamics through which Joyce’s version of the legend of the “devil’s bridge”, narrated in a letter addressed to his grandson, Stevie, entered the world of children’s literature in Italy. This occurred just after the legend’s publication in the USA and the UK under the title The Cat and the Devil. It was immediately turned into a picturebook, a sophisticated literary product aimed at very young readers. In fact, far from being a mere text for toddlers, the Italian Il gatto e il diavolo is at the centre of several intersemiotic and interlinguistic translations that enhance the interpretative potential and richness of Joyce’s narration, already at the crossroads between folkloric and modernist translation. The comparative analysis of three different Italian translations of the story expressly addressed to children (the first by Enzo Siciliano, published by Emme Edizioni in 1967; the second by Giulio Lughi for Edizioni EL in 1980; and the third and more recent one by Ottavio Fatica for ESG in 2010) has highlighted that the differences between them can be ascribed to distinct translation projects, aimed at building bridges between young readers and Joyce’s work in various periods of the history of the Italian literary market for children.

  • Tradurre la lineetta singola: uno studio contrastivo macedone-italiano

    Author: Roska Stojmenova Weber
    E-mail: roska.stojmenova@unibas.ch
    Institution: Universität Basel
    ORCID: https://orcid.org/0000-0003-3535-0150
    Year of publication: 2019
    Source: Show
    Pages: 261-278
    DOI Address: https://doi.org/10.15804/IW.2019.10.1.11
    PDF: iw/10_1/iw10111.pdf

    TRANSLATING THE DASH: A CONTRASTIVE STUDY OF MACEDONIAN-ITALIAN

    The aim of this article is to illustrate the strategies adopted to translate the dash from Macedonian into Italian in contemporary literary texts. This punctuation mark follows partially different principles in the two languages: morpho-syntactic and informative-textual ones in Macedonian and informative-textual principles in Italian. In addition, the source language reveals a frequent and systematic use of the dash, while it is not very common in the target language nor fully integrated into its punctuation system. From this analysis, two significant data have emerged. Firstly, it has been observed that, amongst the translating strategies of the dash from Macedonian into Italian, what prevails is the use of a “passe-partout” comma, which separates two clauses and replaces stronger punctuation marks, such as the colon, the semicolon, and the period. Secondly, it has been observed that the translation does not contribute to transferring the Macedonian model into the Italian language: the dash of the original text is kept in the target text only when there is equivalence between the two punctuation systems.

  • „Pokot” Agnieszki Holland i Olgi Tokarczuk - o tym, jak przekład intermedialny wpływa na konstrukt mentalny u odbiorcy

    Author: Aleksandra Siemieniuk
    E-mail: a.siemieniuk2@student.uw.edu.pl
    Institution: Uniwersytet Warszawski
    ORCID: https://orcid.org/0000-0002-9947-7161
    Year of publication: 2019
    Source: Show
    Pages: 152-162
    DOI Address: https://doi.org/10.15804/kie.2019.03.11
    PDF: kie/125/kie12511.pdf

    Narracja nie jest zjawiskiem wyłącznie językowym, lecz fenomenem o naturze kognitywnej aktywizującym się za sprawą odszyfrowania treści komunikatu. Owa aktywizacja warunkuje powstanie u czytelnika konstruktu mentalnego rozpatrywanego jako skrypt narracji. Zależnie od medium, w jakim następuje realizacja opowieści, odbiorca w odmienny sposób wytwarza skrypt, nawet jeżeli opowieść oparta jest na podobnym rdzeniu fabularnym. Problem ten ma szerokie zaplecze teoretyczne, jednak dotychczas żaden z badaczy nie pokusił się o przeanalizowanie na wybranym przykładzie, jak przekład intermedialny wpływa na wytworzenie konstruktu mentalnego. W niniejszym artykule zostaje podjęta próba uzupełnienia tej luki. Analiza, wykorzystująca ustalenia narratologii transmedialnej oraz komparatystyki mediów, zostanie przeprowadzona oparciu o film „Pokot” Agnieszki Holland i jego literacki pierwowzór - „Prowadź swój pług przez kości umarłych” Olgi Tokarczuk.

  • Quo vadis all’italiana: investigazione stilometrica sulle tra-duzioni milanesi del bestseller di Henryk Sienkiewicz

    Author: Katarzyna Biernacka-Licznar
    E-mail: katarzyna.biernacka-licznar@uwr.edu.pl
    Institution: Uniwersytet Wrocławski
    ORCID: https://orcid.org/0000-0003-0541-5005
    Author: Jan Rybicki
    E-mail: jan.rybicki@uj.edu.pl
    Institution: Uniwersytet Jagielloński w Krakowie
    ORCID: https://orcid.org/0000-0003-2504-9372
    Year of publication: 2020
    Source: Show
    Pages: 31-64
    DOI Address: https://doi.org/10.15804/IW.2020.11.1.02
    PDF: iw/11_1/iw11102.pdf

    Of henryk sienkiewicz’s bestseller

    Henryk Sienkiewicz’s novel Quo Vadis made its way into Italy at the end of the 19th century through the efforts of Neapolitan translator Federigo Verdinois. The first part of this paper outlines the history of the popularity of Quo Vadis by focusing on the operations of Milanese publishers that made the Polish novel part of their offer in a variety of ways (as translations, adaptations, reworkings, plagiarisms, etc.). Bibliometric methods are used to establish why so many publishing houses decided to publish Henryk Sienkiewicz’s Roman romance. The analysis of the bibliometric data of the published translations helped assess and describe the extent and the character of the popularity that the novel garnered among Milanese publishers. The second part of the paper relates the findings of a multi-method quantitative study of the same material. The number of word tokens was compared between the original and the translations. The lexical richness across the texts under study was compared by means of the moving average type-token ratio (MATTR). Sentence lengths were also compared, as was sentence length distribution as time series. Two different programmes (WCopyFind and Tracer) yielded very similar results on the degree of the similarity of five-word phrases in pairs of translations, which was determined in network analysis.

  • Gıvıng of Words wıthout Equıvalence in the Translatıon of Borıs Pasternak’s Doctor Zhıvago

    Author: Rovshan Rahib Mammadsoy
    Institution: Baku Slavic University
    Year of publication: 2020
    Source: Show
    Pages: 57-64
    DOI Address: https://doi.org/10.15804/so2020104
    PDF: so/17/so1704.pdf

    Gıvıng of Words wıthout Equıvalence in the Translatıon of Borıs Pasternak’s Doctor Zhıvago

    The main task that translators face today is to not only to perfectly understand the language of the original, but also to convey the spirit of the work with its creative and artistic thinking. Therefore, the translator must be able to distinguish between literary, artistic expression and ordinary words.

  • Niebieska sukienka, język konwenansów i tłumaczenie juweniliów. Wokół Frasi all’innamorata Cesarego Pavese

    Author: Olga Płaszczewska
    E-mail: olga.plaszczewska@uj.edu.pl
    Institution: Uniwersytet Jagielloński
    Year of publication: 2016
    Source: Show
    Pages: 145-161
    DOI Address: https://doi.org/10.15804/IW.2016.07.08
    PDF: iw/07/iw708.pdf

    A BLUE DRESS, THE LANGUAGE OF THE PROPRIETIES, AND JUVENILIA IN TRANSLATION. SOME REMARKS ON THE “FRASI ALL’INNAMORATA” BY CESARE PAVESE

    The main purpose of the essay is to present one of the juvenilia by Cesare Pavese as a coherent text worth of being diffused. For this reason, the poem “Frasi all’innamorata” (1930), in its original version, opens the essay. the interpretation of the text is undertaken to show both its literary and cultural inspirations (W. Whitman, G. Gozzano, psychoanalysis) and dominant artistic strategies (transforming poetry into prose, playing with colloquial speech and linguistic clichés). Moreover, the presentation of possible difficulties in translation of the poem leads to a reflection on the themes of Pavese’s poetry such as solitude, a lack of love, anxieties caused by human physicality, alienation, and disapproval of superficiality in interpersonal relations. the Polish version of the poem acts as a final proposal of its reading.

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