Art of the Orient

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Art  of the Orient (Sztuka Orientu) jest  rocznikiem poświęconym studiom nad sztuką i kulturą artystyczną Azji i Afryki, przygotowywanym przez Polski Instytut Studiów nad Sztuką Świata, wydawanym przez Wydawnictwo Adam Marszałek w Toruniu. Pierwszy tom rocznika został poprzedzony przez tom Studia nad sztuką Azji, wydany w 2008 roku, który zapowiadał planowaną serię Sztuka Orientu. Tom pod redakcją Jerzego Malinowskiego i Joanny Wasilewskiej, został  przygotowany przez Polskie Stowarzyszenie Sztuki Orientu (poprzednika Polskiego Instytutu Studiów nad Sztuką Świata).  

Art of the Orient  is an annual devoted to the study of Asian and African art and artistic culture, prepared by the Polish Institute of World Art Studies, published by Adam Marszałek Publishing House in Torun. The first issue of the annual was preceded in 2008 by the volume Studia nad sztuką Azji (Studies on the art of Asia), which was the forerunner of the then planned series Sztuka Orientu (Art of the Orient). The volume edited by Jerzy Malinowski & Joanna Wasilewska, was prepared by the Polish Society of Oriental Art (forerunner of the  Polish Institute of World Art Studies).


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Redakcja czasopisma naukowego „Art of the Orient” przyjęła zasady etyki publikacyjnej zgodne z wytycznymi COPE – Komitetu do spraw Etyki Publikacyjnej i stosuje je w pełni od 2017 roku. Standardy etyczne czasopisma i polityka antyplagiatowa Redakcji wyjaśnione są na stronie internetowej tytułu, zaś autorzy zobowiązani w oświadczeniu do potwierdzenia, że ich praca spełnia przyjęte standardy etyki publikacyjnej.

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Contents
Introduction
Eurasian decorative animal features of ‘the Little Metropolis Church of Athens’
A typological evaluation of arrow slits among elements of military architecture in the medieval period
Infinite travel of the soul to the Sacred City and the Luminous City: visual depictions of Mecca and Medina in Dalā’il al-Hayrāt
Benlizâde Madrasah and its place in Ottoman architecture
Orientalism in the Orient – elements of the Moorish style in the sacred Muslim buildings of Istanbul
The decline of Cairo under the Ottomans
Between Kraków and Istanbul: the art and architecture of the Crimean Khanate as the connecting link between Ottoman and European culture
The Islamic tradition of building water fountains in the Crimea
Polish and Lithuanian Tatars. One history and two stories
The views of Erasmus of Rotterdam and his Polish followers on war against the Turks
Treaties in historical studies – the 1607 trade treaty between the Ottoman Empire and Poland
European and Exotic – Jan III Sobieski’s commemorative and representative strategies towards Polish-Ottoman relations
Ottoman tent from Prince Czartoryski’s collection – a new look at an old tradition
In search of diplomatic gifts – on a group of 18th century Polish porcelain in the Topkapı Palace collection
An evaluation of the architecture, culture and history of the Polonezköy/Adampol settlement in Istanbul
Kazimierz Pochwalski’s sketchbook of Eastern travels
Jean (Jan) Lambert-Rucki’s artistic vision of the Ottoman women’s world of Selânik
The 16th to the 18th century printed Turcica preserved in Polish collections
Diplomats, etiquette, ceremonies – the unpublished letters of Łazarz Hordyński from the Ottoman Empire circa 1790
My inspirations from traditional Syrian architecture
Contents
Introduction
The Emotional Dimension of the ‘Nature of the World (Lokasya Svabhāva)’ and the Meaning of Saḥr̥daya. ‘Avadhakiśoragurucaraṇasmṛtiai Samarpyate’
Triple Temples in India, Nepal and Cambodia. A Contribution to the Question of Inclusivism
Parinirvāṇa Representations in the Art of Mathura: A Study Based on the Discovery of a Unique Parinirvāṇa Stele from the Varāha Temple of Mathura
The Āyāgapaṭas of Mathura
An Enigmatic Female Ascetic Figure from Mathura
Discovering Buddhism in Southern Punjab: A Study of Vanishing Buddhist Heritage at Sui Vihāra
The Travels of Two Marine Beasts from the Mediterranean to Gandhara – A Transfer of Form and Meaning?
Cōḻa Bronzes in the Context of the History and Culture of Tamil Nadu
The Religious and Social Significance of Chenrezig in Vajrāyana Buddhism. A Study of Select Tibetan Thangkas
A Concept of Comic Dance as Presented in Kāḷi Nāṭakam of Narayana Guru in the Light of His Later Philosophical Works
Rāgiṇī Bhairavī. A Case Study of Select rāgacitras from the Miniature Paintings of Mewar (16th–17th Century C.E.)
Art and Gender in the Contact Zone – European Women and Indian Miniature Painting
Art and Politics: British Patronage in Delhi (1803–1857)
Kira Banasińska – Seventy Years in India. From Diplomacy to Kaybee
Inspirations of Traditional Hindu Temple Architecture in the Birla Mandir in Renukoot
Culturally Sensitive Contemporary Buildings in India
Contents
Introduction
The study of Yangliuqing New Year Picture
Meiji Woodblock Prints by Utagawa Kokunimasa in the collection of the National Maritime Museum in Gdańsk
Japanese pacifi st and ecological posters U.G. Satō and others
Negotiating Appropriation – Later Safavid Adaptations of Chinese Blue-and-white Porcelain
The significance of Gegu yaolun 格古要論 – a 14th century antiquarian guide for the development of China’s knowledge and material culture
The traditional Korean house hanok as a reflection of the family hierarchy
The Art of Wayang
Landscape in the light of regaining Independence Reflections on the relationships between elements of commemorative architecture and Hindu-Buddhist motifs in the art of Central Java
Contents
Introduction
Griffins, Myths and Religion — a review of the archaeological evidence from ancient Greece and the early nomads of Central Asia
Dionysus between Sāsānian Iran and Roman allusions
Hellenistic Phalerae from the burials of the nomads of Asian Sarmatia
Reconstruction of the archaeological landscape of the Western Shore of the Caspian Sea at the end of Upper Pleistocene and Holocene
Ibexes on black stones: new petroglyphs in Surkhandarya (South Uzbekistan)
On the interpretation of ‘sun-ray head’ figures as shamanic in the rock art of Central Asia
Subject compositions in Tuvan rock art
Figurative monuments and rock art traditions of the Kazakh Steppes
The discovery of two stucco heads of the Vidūṣaka in Gandharan art
Some details from the Representations of the Parinirvāṇa cycle in the art of Gandhara and Kucha: The iconography of the Wandering Ascetics (Parivrājaka, Nirgrantha and Ājīvika)
Pre-Islamic art of Afghanistan and Pakistan. A survey of research interest
Contents
Introduction
The meaning of animal motifs in Neolithic China based on examples of jade figurines and shell mosaics
Goat-headed deities in ancient Indian sculpture
Multiple roles of dogs in India – culture, art and the colonial context
Animal motifs representing sipjangsaeng (longevity) and samgang oryun (basic virtues of Neo-Confucian social ethics) in the furniture and decor of a traditional Korean house
Confucian values contained in representations of birds on Chinese fabrics during the Qing Dynasty
Depictions of Animals in the Satirical War Prints of Kobayashi Kiyochika
Disgust or fascination? Insects in works of contemporary East Asian artists
Contents
The boundary between the art and product. On the meaning and form of kōgei in the past and present
Chinese and Japanese characters in selected Polish mass, popular, orientalist and religious magazines published in the 1930S
Indian woman between ‘new’ tradition and ‘old’ patriarchy. Bengali painting in the service of nationalism
Culture Trouble: The Significance of Cultural Context in an Art Historian’s Research on Chinese Contemporary Art
Mao Zedong’s Bakhtinian laughter: The Chinese pop avant-garde and its origins
Animal figures inspirations in contemporary Chinese art
Contents
Introduction
Images of Monks with the Uṣṇīṣa – from the Kucha and Turfan Regions
Romantic Encounter and Urban Space
Su Shi 蘇軾 (1037 – 1101 AD) as an Amateur of Art Collecting
Beijing‒Theatre‒Tea. The Habit of Tea Drinking in Theatres of Beijing from the 17th Century to the 1950s
Problems Regarding the Re-mounting and Restoration of Chinese Hanging Scrolls – Local Traditions versus Globalisation
Chinese Embroidered Textiles from the Period between the 18th and the 20th Centuries in the Collection of the National Museum in Warsaw
Polish-Chinese Art Relations in the 19th and 20th Century
Chinese Painting from the May Fourth Movement to the First National Art Exhibition (1919 – 1929)
North Korean Propaganda Arts
Culture and Globalisation in Wang Qingsong’s Photography
Contents
Introduction
Newar architecture. The typology of the Malla period monuments of the Kathmandu Valley
Gyanyin goddess: two bronze figures – two different stories
The great era of art collecting in China . Emperor Taizong and his followers
Mandarin squares as a form of rank badge and decoration of Chinese robes
Islamic ornamental motifs in Indonesia
Pagans in East Asia in early modern Dutch sources
Polish artist at the service of Maharajas
Icons of contemporary architecture in Beijing
The Central Embassy in Bangkok. A new icon of the West in the East?
The cooperation of well-known architects, architecture students and local communities in the process of architectural creation in different cultural environments. Examples from Asia
Mindfulness art of Yayoi Kusama
‘Muslim Barbie’ fights for values
Visual art in Indonesia. Introduction
Amulets and talismans of the Central Sahara – Tuareg art in context of magical and mystical beliefs
Presentation of Hayle Sillasie in photographs from imperial era Ethiopian books
South African art – twenty years since the advent of the post-apartheid era
Contents
Introduction
Functions of spolia in Umayyad architecture
Ouyang Xiu 歐陽修 (1007–1072) and his collection of stone inscriptions
Ornamental motifs of Indian origin in Indonesia
Japonsche rocken as an expression of fashion depicted in painting in the Golden Age of the Dutch East India Company
Historical subjects represented in the Feliks Jasieński collection of Japanese woodblock-prints
Dragons, gods, demons – ojime – symbolic content hidden in miniature form
Paper Sea Route: The influence of Chinese culture on the formation of elements of Mexican folk art accompanying various celebrations.
Development of the Russian School of Art in the context of emigration to China in the first half of the 20th century
The combination of Chinese and Western influences on Chinese modern ink painting with Lin Fengmian, Zhang Ding and Wu Guanzhong as Examples
Chinese contemporary realism oil painting
Balkarian professional fine arts
Empowering women through theater in Indonesia
Contents
Introduction
Problem wpływu – jak badać podobieństwa wizualne między sztuką Zachodu i Wschodu? .
The Origins of Collecting in China. Underground Jade Treasures as a Reflection of Ancient Collecting.
Tkanina z Mashanu (Chiny, V–III w. p.n.e.) a celtycki system ornamentalny
Architektoniczny eksperyment u podnóża Chińskiego Muru
Shini-e, japońska forma upamiętnienia wybitnych artystów
Baśnie i bajki w japońskich komiksach
Tradycja u progu nowoczesności. Kobiety w malarstwie Kalighat
Rabindranatah Tagore – poeta czy malarz?
Księga Papugi Nechszebiego ze zbiorów Biblioteki Uniwersytetu Wrocławskiego
Przedmioty kultu lamaiskiego stosowane w obrzędzie Dugżuuba
O roli krisów w kulturze Indonezji i teoriach dotyczących ich powstania
Tradycyjna ceramika uzbecka i tadżycka ze zbiorów Muzeum Azji i Pacyfiku w Warszawie
Ornitomorficzne miniatury marginesowe ormiańskich Ewangeliarzy przechowywanych w Bibliotece Narodowej w Warszawie
Świadectwa obecności artystycznej Imperium Osmańskiego na Węgrzech
Contents
The Abhaya Gesture in Indian Art. Visual Means to Invoke Divine Protection
The importance of the body in Indian culture and selected issues regarding its manifestation in art
Imaging the Divine. The Depiction of Gods and Deified Beings in Illustrations of Kalpasūtra Manuscripts from Western India
Sihr ul Bayan: Awadh Poetry in Delhi Painting (An imperial later Mughal manuscript from the National Museum, New Delhi)
Swords and Daggers on the Wallpaintings of Kucha in the 1st and 2nd Indo-Iranian style and its Significance for Dating
Representation and Significance of Animals and Birds in Temple Art: A Case Study of Paramara Temples
Glimpses into the history, design and construction of St. Andrew’s Kirk, Madras 
Revising the tiger.The case of the instrument of Tipu Sultan in the Victoria and Albert Museum and the discussion on contested heritage
Between mind and soul – pustaha manuscripts in Batak society. Concerning the collections of Batak manuscripts – part I
Nomad and shaman, flags and terremonto. Arahmaiani Feisal’s artistic practice from the perspective of Joseph Beuys’ “social sculpture”
Contents
Introduction
I Stood on the Buddha’s Head in Bamiyan
Bodhisattvas in Animal Forms. The Importance of Calendrical twelve Bodhisattvas
Numinous Buffalo. A Forgotten chinese Pictorial Motif
Two Buddhist figures – An Interesting Case from the Museum of Lubuskie Region in Zielona Góra
Works of Art as Model Forms in the Contact of Religions. Glimpses from Japan, China and India
Cultural Tradition or Kitsch? Buddhist Iconography in the Art of Contemporary East Asian Women Artists
Eyes as the Window to the Soul –a Presentation of the Gyokugan (玉眼) Technique Based on Experiences at the Meikodo Buddhist Sculpture Conservation Studio in Tokyo
Buddhist Motifs in Chinese Textile Decorations at the End of the Qing Dynasty (1644–1911)

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