Representation and Significance of Animals and Birds in Temple Art: A Case Study of Paramara Temples

  • Author: Nikita Rathore
  • Institution: Department of History of Art National Museum Institute, New Delhi
  • Year of publication: 2022
  • Source: Show
  • Pages: 127-139
  • DOI Address: https://doi.org/10.15804/aoto202206
  • PDF: aoto/11/aoto1106.pdf

REFERENCES:

  • Kumar 2018 = Meenal Kumar, “Pillars (Stambh)-The Supportive Elements of Hindu Temples,” International journal of current research, 10/06 (June, 2018): 70223–70228.
  • Kramrisch 1976 = Stella Kramrisch, The Hindu Temple, Volume II, Motilal Banarasidass Publishers Private Limited, Delhi 1976.
  • Sinha 1955 = B. P. Sinha, “Elephants In Ancient Indian Army.” Proceedings of the Indian History Congress, 18 (1955): 51–57. http://www.jstor.org/stable/44137337.
  • Anjum 2011 = Nazer Aziz Anjum, “Horse Sculpture In India.” Proceedings of the Indian History Congress, 72 (2011): 1247–53. http://www.jstor.org/stable/44145736.
  • Sohoni 2016 = Pushkar Sohoni, “Old Fights, New Meanings: Lions and Elephants in Combat.” RES: Anthropology and Aesthetics, 67/68 (2016): 225–34. https://www.jstor. org/stable/26562327.
  • Chavan 1993 = Kamal Chavan, “Motifs : Continuity And Change In Indian Art.” Bulletin of the Deccan College Research Institute, 53 (1993): 29–38. http://www.jstor.org/ stable/42936429.

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