The great era of art collecting in China . Emperor Taizong and his followers

  • Author: Bogna Łakomska
  • Institution: Academy of Fine Arts, Gdansk The State Ethnographic Museum in Warsaw Polish Institute of World Art Studies
  • Year of publication: 2014
  • Source: Show
  • Pages: 41-52
  • DOI Address: https://doi.org/10.15804/aoto201403
  • PDF: aoto/3/aoto303.pdf

REFERENCES:

  • Acker 1974, William Reynolds Beal Acker, Some T’ang and Pre-T’ang Texts on Chinese Painting. Vol. II. (Chapters IV-X), E.J. Brill, Leyden 1974.
  • Acker 1979 = William Reynolds Beal Acker, Some T’ang and Pre-T’ang Texts on Chinese Painting. Vol. I.: Hyperion Press, INC. Westport (reprint of the edition published by E.J. Brill, Leyden, which was issued as vol. 8 of Sinica Leidensia, 1954), 1979.
  • Chuang 1970 = Chuang Han, “Hsiao I Gets the Lan-t’ing Manuscript by a Confidence Trick - Part I”, National Palace Museum Bulletin, vol. V, no. 3 (1970): 1 – 17.
  • Chuang 1971 = Chuang Han, “Hsiao I Gets the Lan-t’ing Manuscript by a Confidence Trick - Part II”, National Palace Museum Bulletin, vol. V, no. 6 (1971): 1 – 17.
  • Declercq 1998 = Dominik Declercq, Writing against the State. Political Rhetorics in Third & Fourth Century China, Brill, Leiden–Boston–Köln 1998.
  • Ebrey 2008 = Patricia Buckley Ebrey. Accumulating Culture. The Collections of Emperor Huizong, University of Washington Press, Washington–Seattle–London 2008.
  • Egan 1989 = Ronald C. Egan, “Ou-yang Hsiu and Su Shih on Calligraphy”. In: Harvard Journal of Asiatic Studies. Vol. 49. No. 2. (Dec. 1989): 365 – 419.
  • FSYL 2003 = Fashu yaolu 法書要錄 (Records on Calligraphy), 10 yuan, by Zhang Yanyuan 張彥远 (ca. 815-ca. 880), Beijing: Renmin mei chubanshe 人民美本出板 式, 2003.
  • Jacoby 2009 = Marcin Jacoby, Powtórzenie i Falsyfikat w Malarstwie Chińskim, Wydawnictwo Trio, Polskie Stowarzyszenie Sztuki Orientu, Instytut Konfucjusza w Krakowie, Warszawa 2009.
  • Ledderose 1979 = Lothar Ledderose, Mi Fu and the Classical Tradition of Chinese Calligraphy, Princeton University Press, Princeton 1979.
  • Owen 1996 = Stephen Owen, An Anthology of Chinese Literature. Beginnings to 1911. Edited and translated by Stephen Owen, W.W. Norton & Company, New York–London 1996.
  • Robinet 1993 = Isabelle Robinet, Taoist Meditation, New York Press, New York 1993.
  • Schafer 1985 = Edward H. Schafer, The Golden Peaches of Samarkand. A Study of T’ang Exotics, University of California Press, Berkeley–Los Angeles 1985.
  • Sullivan 2008 = Michael Sullivan (The fifth edition), The Arts of China, University of California Press, Berkeley–Los Angeles–London 2008.
  • SYJH 1871 = Shuyuan jinghua 書苑菁華, 20 yuan, by Chen Si 陳思 (fl. 1225 – 1264). Edition: Shu gu cong chao 述古叢鈔, 10 vols. Edited by Liu Wanrong 劉晚榮. Published by Cang xiu shuwu 藏修書屋. 1871.
  • XHHP 1964 = Xuanhe huapu 宣和畫譜 (The Catalogue of Painting from the Xuanhe Pavilion), 20 yuan, anonymous, edited by Yu Jianhua 俞劍華, Renmin meishu chubanshe 北京人民美术出版社, Beijing 1964.
  • XTS 1930 – 1937 = Xin Tang shu 新唐書 (New Tang History), 225 yuan (20 vols.), by Ouyang Xiu 歐陽修 (1007 – 1072) and Song Qi 宋祁 (998 – 1061). Edition: Bainaben Ershisishi 百衲本二十四史 (Twenty-four histories), Commercial Press, Shanghai 1930 – 1937.

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