Chinese Painting from the May Fourth Movement to the First National Art Exhibition (1919 – 1929)

REFERENCES:

• Cai Yuanpei (1930) = Cai Yuanpei, Meishu de qiyuan (The origin of fine arts), Huixuezazhi, 1930, no 1: 5.
• Chen Duqiu (1920), Chen Duqiu, Xin wenhua yundong shi shenme (What is the New Art movement?), Xin qingnian 1920, no. 7: 1 – 6.
• Dongfangzazhi (1921) = Dongfangzazhi (Eastern miscellany) 1921 (18: 18).
• Dongfangzazhi (1921) = Dongfangzazhi (Eastern miscellany) 1921: 19:25.
• Fairbank (2005) = J.K. Fairbank, China. A New History. Second Enlarged Edition. Harvard: Harvard University Press 2005.
• Fairbank (1950) = J.K Fairbank, Liu Kwang-ching, Modern China: A bibliographical guide to Chinese works 1898 – 1937, Cambridge: Cambridge University Press, 1950.
• Fairbank (1955) = J.K Fairbank, Masataka Banno, Japanese studies of modern China: A bibliographical guide to historical and social-science research of the 19th and 20th centuries, Tokyo: Harvard-Yenching Institute 1955.
• Feng Zikai (1923) = Feng Zikai, Shi yishu weida di zhen xinge (Characters making the art great), Dongfang zazhi, 1923.20: 62 – 75.
• Fu Yanchang (1927) = Fu Yanchang, Yishu san jiayan (Three writers on art), Shanghai 1927: 9.
• Guo Moruo (1926) = Guo Moruo, Xiyang meishu shi gaiyao (Overview of Western art), Shanghai 1926: 30.
• Hu Gengdian (1929) = Hu Gengdian, Kan liao di yi ziquan guo meizhan xihua chupin di yinxiang (Impressions of First National Art Exhibition), Yiguan 1929, no 3.
• Huang Binhong (1929) = Huang Binhong, Meizhan guohua tan (Traditional painting in exhibitions), Yiguan 1929. 3: 33 – 35.
• Jiang Danshu (1959) = Jiang Danshu, Wo guo wushi nian lai yishu jiaoyu shu zhi yiye (Fifty years of artistic education in China), Beijing 1959: 33.
• Li Puyuan (1936) = Li Puyuan, Jindai Zhongguo yishushi (History of modern Chinese art), Shanghai 1936.
• Lü Peng (2012) = Lü Peng呂澎, 20 世紀中國藝術史 (“A History of Art in TwentiethCentury China”), Beijing: Beijing daxue, 2012.
• Lu Xun (1929) = Lu Xun, Jindai meishu shi taolun (Directions in modern art history), Shanghai 1929. Saneto Keishu (1945) = Zhong yi riwen shu mulu (Catalogue of Japanese book translated into Chinese), Tokyo 1945: 193 – 197.
• Saneto Keishu (1982) = Saneto Keishu, 中國人 留學日本 史 (The graduates of Tokyo Fine Arts Institute and Tokyo Fine Arts Academ), Dongjing: Kanjin, 1982.
• Shambaugh (2005) = E. Shambaugh, The Odyssey of China’s Imperial Art Treasures, Washington 2005.
• Sotsugyosha meibo henshu iinkai (1982) = Sotsugyosha meibo henshu iinkai (ed.), Tokyo bijutsu gakko Tokyo geijutsu daigaku bijutsubu Sotsugyosha meibo (The graduates of Tokyo Fine Arts Institute and Tokyo Fine Arts Academy), Tokyo 1982: 74, 78.
• Tsuruta Takeyoshi (1974) = Tsuruta Takeyoshi, Nationwide Art Exhibitions in the Republican Period: Research on the History of Chinese Painting in the Past 100 Years, Tokyo 1974.
• Tsuruta Takeyoshi (1974) = Tsuruta Takeyoshi, Kindai Chugoku kaiga (Modern Chinese Painting), Tokyo: Bijutsu Kenkyu, 1974.
• Wan Qingli (2005) = Wan Qingli, Qing zhi minguo shiqu de hua zhi bian (The Evolution of painting from Qing dynasty to the Republic), Beijing 2005: 82 – 85.
• Wang Bomin (1986) = Wang Bomin 王伯敏, 中國畫史 (“History of Chinese Painting”), Taipei: Lanting, 1986.
• Wang Bomin (1988) = Wang Bomin 王伯敏, 中國美術通史 (“A Complete History of Chinese Painting”), Shandong: Jiaoyu Chubanshe 1988.
• Wang Q.E. (2001) = Wang Q.E., Inventing China through History: The May Fourth Approach to Historiography, New York 2001.
• Wo Hung (2008) = Wo Hung 巫鴻, 美術史十議 (“Ten Proposals for Art History”), Beijing: Sanlian, 2008.
• Xu Jieji (1930) = Xu Jieji, Xinxing meishu yundongdi renwu (Mission of the New Art Movement), Yishu 1930, no 1.
• Zhuang Wenya (1934) = Zhuang Wenya, Quan guo wenhua jiegou yilan (Overview of Chinese cultural insitutions), Shanghai 1934.