Animal motifs representing sipjangsaeng (longevity) and samgang oryun (basic virtues of Neo-Confucian social ethics) in the furniture and decor of a traditional Korean house

  • Author: Zuzanna Krzysztofik
  • Institution: Polish Institute of World Art Studies
  • Year of publication: 2020
  • Source: Show
  • Pages: 95-114
  • DOI Address: https://doi.org/10.15804/aoto202004
  • PDF: aoto/9/aoto904.pdf

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  • Bailey 2016 = Penny Bailey, “The Formation and Dissemination of Korea’s Sipjangsaeng (Ten Longevity Symbols) Iconography”, Museum Network Fellowship Colloquium Research Papers, National Museum of Korea, Seoul 2016: 105–120.
  • Bailey 2020 = Penny Bailey, “Korea’s Sipjangsaeng Iconography: The Quest for Longevity and Immortality in the Visual Arts of the Joseon Dynasty”, The Asia-Pacific Journal, 18/8/2 (2020): 1–18.
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  • Łakomska 2019 = Bogna Łakomska, “Meble koreańskie jako przykład wiecznie żywej tradycji rzemiosła artystycznego” (Korean furniture as an example of an everlasting tradition of artistic craftsmanship), in: Kultura materialna i jej symboliczne aspekty (Material culture and its symbolic aspects), Bogna Łakomska (ed.), Gdańsk 2019: 114–143.
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  • Zwierzęta w sztuce Dalekiego Wschodu 1996 = Zwierzęta w sztuce Dalekiego Wschodu. Wystawa ze zbiorów Muzeum Narodowego w Warszawie (Animals in the Art of the Far East. Exhibition from the Collection of the National Museum in Warsaw), Katarzyna Maleszko, Joanna Markiewicz (eds.), exhibition cat., Muzeum Narodowe w Warszawie, Warszawa 1996: 3.

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