Erotyzm ducha i życia w filozofii kultury Tomasza Manna

Author: Dariusz Pakalski
Institution: Uniwersytet Gdański
Year of publication: 2014
Source: Show
Pages: 37-51
DOI Address:
PDF: kie/103/kie10303.pdf

The article concerns Thomas Mann’s view on culture and on anthropology. The analyses of the works by the German writer point at the relations between his conception and Fridrich Schiller’s conception of man as a sensuous and sprititual being. Mann’s works, such as Death in Venice or The Magic Mountain are the literary equivalent of the unfinished essay on aesthetics On Spirit and Art. The author stresses the important role of eroticism in the description of culture. Eroticism should be conceived in a wide sense, not only in relation to bodily desire, but as a basis of aesthetic experience. Seen from this angle, Mann’s writings contain a series of reflections about culture and about man, reflections rooted in the modern conceptions presented by Kant and Schiller and later developed by contemporary psychoanalysis and the philosophy of existence.


  • Freud Z., Kultura jako źródło cierpień, Warszawa 1995.
  • Hölderlin F., Poezje wybrane, Warszawa 1964.
  • Kant I., Krytyka władzy sądzenia, Warszawa 1986.
  • Kurzke H., Tomasz Mann. Życie jako dzieło sztuki, Warszawa 2005.
  • Mann T., Czarodziejska góra, Warszawa 2007.
  • Mann T., Gesammelte Werke, Berlin 1955, Bd. XII.
  • Mann T., Listy 1889 – 1936, Warszawa 1966.
  • Mann T., Nowele, Warszawa 1956.
  • Nietzsche F., Narodziny tragedii z ducha muzyka albo Grecy i pesymizm, Kraków 1994.
  • Schiller F., Kallias czyli o pięknie, Kęty 2007.
  • Wagner R., Gesammelte Schriften, Leipzig b.r.w., Bd V.
  • Żelazny M., Filozofia i psychologia egzystencjalna, Toruń 2012.
  • Żelazny M., Źródłowy sens pojęcia estetyka, Toruń 1994.

body Thomas Mann eroticism aesthetics philosophy of culture Nietzsche

Message to:



© 2017 Adam Marszałek Publishing House. All rights reserved.

Projekt i wykonanie Pollyart