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UWAGA!

Pracujemy nad nową stroną internetową czasopism Wydawnictwa Adam Marszałek. Jej planowany termin uruchomienia to 1 maja 2025 roku.

Ze względu na niedziałające zakładki w polskiej wersji obecnej strony czasopism prosimy kierować się na wersję angielską https://czasopisma.marszalek.com.pl/en/. Do końca bieżącego tygodnia będą tam umieszczone polskie wymogi i informacje na zmianę z angielskimi.

Przepraszamy za wszelkie niedogodności związane z obecną wersją strony.

ATTENTION!

We are working on a new website for Adam Marszałek Publishing House magazines. Its planned launch date is May 1, 2025.

Due to the broken tabs in the Polish version of the current magazine website, please refer to the English version https://czasopisma.marszalek.com.pl/en/. By the end of this week, Polish requirements and information will be placed there alternating with English ones.

We apologize for any inconvenience caused by the current version of the website.


Punktacja czasopism naukowych Wydawnictwa Adam Marszałek według wykazu czasopism naukowych i recenzowanych materiałów z konferencji międzynarodowych, ogłoszonego przez Ministra Edukacji i Nauki 17 lipca 2023 r.

Scoring of scientific journals of Wydawnictwo Adam Marszałek according to the list of scientific journals and reviewed materials from international conferences, announced by the Minister of Education and Science on July 17, 2023.


  • Athenaeum. Polskie Studia Politologiczne – 100 pts
  • Edukacja Międzykulturowa – 100 pts
  • Historia Slavorum Occidentis – 100 pts
  • Polish Political Science Yearbook – 100 pts
  • Przegląd Prawa Konstytucyjnego – 100 pts
  • The New Educational Review – 100 pts
  • Art of the Orient – 70 pts
  • Italica Wratislaviensia – 70 pts
  • Nowa Polityka Wschodnia – 70 pts
  • Polish Biographical Studies – 70 pts
  • Azja-Pacyfik - 40 pts
  • Krakowskie Studia Małopolskie – 40 pts
  • Kultura i Edukacja – 40 pts
  • Reality of Politics - 40 pts
  • Studia Orientalne – 40 pts
  • Sztuka Ameryki Łacińskiej – 40 pts
  • Annales Collegii Nobilium Opolienses – 20 pts
  • Cywilizacja i Polityka – 20 pts
  • Defence Science Review - 20 pts
  • Pomiędzy. Polsko-Ukraińskie Studia Interdyscyplinarne – 20 pts
  • African Journal of Economics, Politics and Social Studies - 0 pts
  • Copernicus Political and Legal Studies - 0 pts
  • Copernicus. Czasy Nowożytne i Współczesne - 0 pts
  • Copernicus. De Musica - 0 pts
  • Viae Educationis. Studies of Education and Didactics - 0 pts

Journals

New journals

Co-published journals

Past journals

Coloquia Communia

Coloquia Communia

Paedagogia Christiana

Paedagogia Christiana

The Copernicus Journal of Political Studies

The Copernicus Journal of Political Studies

The Peculiarity of Man

The Peculiarity of Man

Czasopisma Marszalek.com.pl

Dyskurs przestrzeni - przestrzeń dyskursu. Obraz miasta w Innej Wenecji Predraga Matvejevicia

  • Author: Katarzyna Majdzik
  • Institution: Uniwersytet Śląski
  • Year of publication: 2016
  • Source: Show
  • Pages: 105-121
  • DOI Address: https://doi.org/10.15804/IW.2016.07.06
  • PDF: iw/07/iw706.pdf

The discourse of space - the space of discourse. the image of the city in Druga Venecija (The other Venice: secrets of the city) by Predrag Matvejević

the author of this article reconstructs the image of Venice depicted in the novel-essay Druga Venecija (The Other Venice: Secrets of the City) by Predrag Matvejević. the novel is characterised by multilingualism (loanwords from the Italian language and its dialects) and contributions from other arts (numerous illustrations, maps, photo reprints, etc.). the discursive mechanisms shaping the impression of space and the world that is represented, as well as the nonlinguistic (visual) ways of its reproduction, are analysed in the article. the narration of the novel is deprived of plot, as it is essayistic and dehistoricised. The book incorporates different genres, combining elements of the essay, travelogue novels, encyclopaediae, and portolan charts. It is characterised by minimalism and restrained language, which are distinguishing features of Matvejević’s work. the poetics of minimalism is reflected in the fragmentation of the plot, the selectivity of themes, and the simplicity of style. the writer concentrates on presenting the details, exploring unknown areas that are overlooked in other literary descriptions of Venice. the originality of Matvejević’s creative method is based on tracking down abandoned, non-obvious, and devastated places; the book, therefore, describes the passages of the city, referring random information and fragments of other stories and legends. enumeration is the most frequent figure of speech used by the writer to describe phenomena in a synchronous and non-hierarchical way. the starting point for the considerations made in this article are the philosophical concepts of the relationship of semiotic systems and different types of art (both applied and fine) to the category of spatiality (Derrida, Rewers, eco, taine).

Polki w Wenecji w drugiej połowie XVIII wieku. Zapiski z podróży Teofili z Radziwiłłów Morawskiej i Katarzyny z Sosnowskich Platerowej

  • Author: Małgorzata Ewa Kowalczyk
  • Institution: Uniwersytet Wrocławski
  • Year of publication: 2014
  • Source: Show
  • Pages: 317-337
  • DOI Address: https://doi.org/10.15804/IW.2014.05.15
  • PDF: iw/05/iw515.pdf

POLISH WOMEN IN VENICE IN THE SECOND HALF OF EIGHTEENTH CENTURY. TRAVEL DIARIES OF TEOFILA KONSTANCJA MORAWSKA NÉE RADZIWIŁŁ AND KATARZYNA PLATEROWA NÉE SOSNOWSKA

Venice, one of the most enchanting cities in the world, has always been a very popular destination for travellers. For Poles who travelled through Europe in the eighteenth century, Venice was an important and frequently visited city. Polish noblewomen of that era, who travelled as frequently as their male counterparts, wrote many memoirs describing their journeys. Very few of their diaries, however, have survived to this day. Memoirs describing their Venetian escapades, rarely published, are mostly buried deep in archives and libraries. Travel diaries of Teofila Konstancja Morawska, née Radziwiłł (1738-1818) and Katarzyna Platerowa, née Sosnowska (born c. 17481832), widely considered as two of the most interesting publications describing Venice of that time, are filled with thoughtful observations of life in eighteenth-century Venice. Details about the city’s landscape and architectural artefacts, the chronicles of theatrical performances, descriptions of works of art and local cuisine and customs represent a remarkable source of information about appearances, the mentality and everything that defined the life of the eighteenth-century Venetians. Their memoirs are on a par with those written by men of their time and their observant eyes make them an extraordinary source of information about life in Venice of the eighteenth century.

Tracce veneziane in un manoscritto appartenuto a Maria Casimira Sobieska. Tra Cabala e magia naturale

  • Author: Fabio Boni
  • Institution: Uniwersytet Pedagogiczny im. KEN w Krakowie, Polonia
  • ORCID: https://orcid.org/0000-0001-5977-7138
  • Year of publication: 2021
  • Source: Show
  • Pages: 87-105
  • DOI Address: https://doi.org/10.15804/IW.2021.12.1.05
  • PDF: iw/12_1/iw12105.pdf

The article presents some texts from manuscript 2284 stored at the Jagiellonian University Library in Krakow, titled Księga Kabał Królowej Sobieskiej (The Kabbalah Book of Queen Sobieska). It is a collection of unpublished texts about magic, Kabbalah, and astrology, collected by Maria Casimira Sobieska herself during her long sojourn in Italy (1699-1714). Some of the manuscript’s texts were written in Italian, most likely in Venice at the end of the 17th century, and signed by a certain Andrea Valetta, a citizen of the Most Serene Republic. Some of these texts concern natural magic, and others, Kabbalah: Acqua simpatica per scivere [sic] da lontano, Per fare l’acqua ardente, A’ far la scrittura simpatica, and Altra Acqua simpatica (104r-105v); Modo di scrivere in Zifra senza dar sospetto di Zifra and Tabella della prima scienza numerica (100r); Seconda scienza numerica (100v-101v); Trattato Per estrarre il nome del Genio (106r-113r); Regole di Cabala di Salomone Imparatale divinam[ente] da Dio (216r-222v). The work shows how, in the texts on natural magic, Valetta follows Giovanni Battista Della Porta’s theory and approach to natural magic. In the texts on Kabbalah, although he considers Kabbalah from a Christian point of view, like Pico della Mirandola, he ignores mystical and spiritual aspects—which, in Pico, are most important—focusing on practical and prophetic aspects.

Venezia nella poesia di Jarosław Iwaszkiewicz

  • Author: Dario Prola
  • Institution: Uniwersytet Warszawski, Polonia
  • ORCID: https://orcid.org/0000-0001-6079-148X
  • Year of publication: 2021
  • Source: Show
  • Pages: 177-196
  • DOI Address: https://doi.org/10.15804/IW.2021.12.1.10
  • PDF: iw/12_1/iw12110.pdf

The article explores the problem of the representation of Venice in Jarosław Iwaszkiewicz’s poetry, starting from the short series “Tram Tickets,” from the mid-1920s, to the masterful “Ode on the Destruction of Venice,” a true farewell and poetic testament of the writer. This study seeks to define the characteristics of the city’s genius loci, tracing the relationships between romantic historicism, perceptual poetics, and the decadent aestheticism of Iwaszkiewicz. For the poet, Venice constituted a complex palimpsest where every added word necessarily had to be negotiated with a complex and cumbersome tradition of texts and images; every attempt to define the nature of the city implied a Sisyphean effort to find a pure and non-conditioned look. For this reason, he was convinced that Venice could be described only indirectly, through the rhetorical tools—similes, synaesthesia, metaphors —offered by poetic language. Iwaszkiewicz’s representation of Venice appears to be rooted in particular in the modernist tradition and in its complex network of cultural and symbolic references. The essay highlights the influence of John Keats and Aleksandr Blok, as well as the specific interpretation of the figures of Endymion and Salome, symbols of eternal youth and beauty, the myths on which the poetics of the Polish writer was based. Among all the cities that are reflected in Iwaszkiewicz’s works, Venice is the one that best expresses his conception of the crisis of European civilisation, awareness of the end of a historical period, and hope of a future palingenesis.

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