- Author:
Олена Ткачук
- Institution:
Київський національний університет імені Тараса Шевченка; Taras Shevchenko National University of Kyiv
- Year of publication:
2015
- Source:
Show
- Pages:
289-296
- DOI Address:
http://dx.doi.org/10.15804/pomi201520
- PDF:
pomi/01/pomi201520.pdf
Gender aspects of creativity by Joseph Conrad in English studies.
The article is devoted to the analysis of gender discourse in the artistic heritage of the English classics, a Pole by birth, Joseph Conrad, by modern studies, often in coverage of racial, national, political, postcolonial and other issues.
- Author:
Катерина Ковалишин (Kateryna Kovalyshyn)
- E-mail:
kovalyshynkateryna2019@gmail.com
- Institution:
Дрогобицький державний педагогічний університет імені Івана Франка (Drohobych Ivan Franko State Pedagogical University)
- ORCID:
https://orcid.org/0000-0002-1202-3424
- Year of publication:
2022
- Source:
Show
- Pages:
99-107
- DOI Address:
https://doi.org/10.15804/PPUSN.2022.01.09
- PDF:
pomi/04/pomi409.pdf
The category of visualisation in literary studies – the interdisciplinary aspect
The concept of “visuality” describes the image of the channels of perception presented in different forms. The text has visual features, due to the content, but also due to its symbolic, sign system. Philologists have been dwelling on the idea of the “visual” ability of a language, by means of fiction, which singles out the existence of pictorial art forms such as landscape, portrait and sculpture. The great interest in the category of visualization is said to be because of modern types of communication. The aim of this article is to review some aspects of the category of visualization, in its current state and its representation in the art of the modernist’s era. The category of visualization covers a wide range of concepts, such as creolized texts, some semiotic studies, intermedialism, iconic texts, the theory of ekphrasis and hypotyposis. It was established that the “escalation” of the image role has led to the need to highlight the concept of “visuality” within modern linguistics. Visual thinking is interpreted as a kind of non-classical rationality. At the moment, philologists know a wide range of concepts that include the term “visual”. For example: visual culturology, visual political science, visual sociology, visual anthropology, the theory of visual communications. We found out, that the modernist era, puts emphasis on the elusiveness, the mystery, the enigma and on the undeciphered inner, so that the hidden meaning was increased. It was believed that all references suitable for perception by the human eye are codes that hide an eternally existing idea. Such a visual presentation allows the recipient to understand the essence of the work on an intuitive level. Symbolism was an integral part of modernism. For optimal study of visualsm, a hypothetical-deductive method was used to get acquainted with the existing materials at this stage of development. Modernism is a set of artistic trends in the art of the second half of the nineteenth – mid-twentieth century. Its supporters were inclined to believe that life forms in the twentieth century exhausted themselves, and the periods that were considered successful for realism were in fact epochs of decline. The new literary phenomenon of the time was called modernism, and the search for positive ideal images began, in contrast to the destruction of public opinion and the crisis that appeared in the place of past ideas. Modernism has destroyed all ties with traditional aesthetics and the ideals of the past. At the same time, the visual aspect of modernism became a mixture of two oppositions the visual and the written text.
- Author:
Oleksandr Zeleniuk
- E-mail:
zelenyk.oleksandr@ukr.net
- Institution:
National Academy of Culture and Arts Management
- ORCID:
https://orcid.org/orcid.org/0000-0002-2170-9559
- Year of publication:
2023
- Source:
Show
- Pages:
63-69
- DOI Address:
https://doi.org/10.15804/PPUSI.2023.01.06
- PDF:
pomi/8/pomi806.pdf
In the scientific article, the author explores the influence of Bauhaus aesthetics and ideology on the formation of contemporary artistic and design culture. It is noted that Bauhaus, which operated during the interwar period in Germany, became a key moment in world culture, promoting innovative approaches and the synthesis of art and design. The article discusses key aspects of Bauhaus, its influence, and relevance to contemporary art, architecture, and design. The progressive ideas of this school, such as the synthesis of art and design, experimental approach, functionalism, and visual communication, are considered in the context of their impact on the development of the artistic and design sphere. The school advocated for the combination of different art forms, the creation of functional and simple forms, and the use of new materials and technologies. Artists inspired by these ideas use the synthesis of art and design to create innovative works. They experiment with forms, materials, and concepts to create unique visual impressions. Contemporary artistic culture reflects the diversity of Bauhaus, adapting its principles to the challenges and opportunities of the 21st century. In addition to art, the author also examines the influence of Bauhaus on contemporary design. The ideas of functionalism and industrial design, emphasizing simplicity and purity of forms, have become the basis for present-day designers. Creating objects that meet the needs of modern life is an essential part of contemporary design trends. The article also investigates how Bauhaus influences architecture. Bauhaus representatives believed that architecture should be functional while embodying aesthetic principles. This concept is reflected in contemporary architectural trends, where simplicity of form and the use of new materials and technologies combine with the desire to create a functional and aesthetic environment. In the conclusions, the author emphasizes the importance of Bauhaus in shaping contemporary artistic and design culture. The influence of Bauhaus is manifested in an open, experimental approach to creativity, the use of new materials and technologies, and a focus on the functionality and simplicity of forms. Bauhaus ideas continue to inspire artists, architects, and designers, contributing to the development of contemporary art and design. All of this highlights the relevance and significance of Bauhaus in the modern world, where the traditions of the past and the innovations of the present come together to create a new dimension of art and design.