(Nie)istniejące metro

Artykuł zawiera analizę kontentu strony internetowej „Metro barnaulskie”. Strona przedstawia nieistniejące metrze w Barnaule w taki sposób, jak gdyby to metro istniało w rzeczywistości. To pozwala opisać projekt „Metro barnaulskie” na różne sposoby, jako: fake, Internet-mem, sposób komunikacji i socjalizacji, jako frame, tekst itp.

Formation and theoretical understanding of the poetics of editing and frame in cinematography

Fiction and cinema are in the mode of constant interactive exchanges. At the initial stage of its formation as an art form, cinema not only actively borrowed, used and processed popular literary plots, but also transformed into its expressive system (poetics) purely literary means of expression. In its turn, fiction even before the advent of cinema used techniques that from a modern point of view can be classified as “cinematic”. In the process of developing its language (film poetics), the art of cinema not only “discovered”, transformed these means, but also expressed and improved them. As a result, the reverse effect arose and the poetics of cinema began to be integrated into the expressive and pictorial system of the art of speech, and especially actively from the 20s of last century. This process should be considered in the context of the synthesis of arts, the intensification of which took place at the turn of the nineteenth and twentieth centuries, when it was claimed that the art of the modern era acquired new forms of expression. In order to study the elements of film poetics in literary texts, it is necessary to thoroughly review the main components of film language, they are categories “editing” and “frame”, the first definitions of which were given by film directors (L. Kulieshov, S. Eizenshtein, V. Pudovkyn, M. Romm, A. Tarkovskyi). and literary critics (V. Shklovskyi, Yu. Tynianov, Yu. Lotman). Accompanying them should be considered cinematic means “plan”, “angle” and “rhythm”, the consideration of which includes the analysis of their manifestations in works of fiction. The functionality of the installation is easier and more accurate to explore the data of the history of its formation and attitude to it. Therefore, this exploration is devoted to the initial stages of development of cinema, in particular its specific means, as well as the achievements of the classics of cinema.

This article explores the phenomenon of elections as a political chronotope, a spatio-temporal realm where the mechanisms of democracy unfold. Its aim is to elucidate the unique socio-political nature of elections. The author establishes that the spatial and temporal characteristics define the format and regulations governing electoral interactions. The term «chronotope» is understood as an interdisciplinary concept that captures the essential connections between temporal and spatial features within a specific order of phenomena. Although extensive research has focused on the social, technical, and psychological aspects of expressing one›s will, the ontology of elections, which encompasses the comprehension of the «unity of time and place of action» and the involvement of political actors in the electoral scenario, has been largely overlooked. Additionally, this study concentrates on the concept of the electoral situation, which delineates the synchronous and diachronic connections wherein citizens’ political choices are positioned, realized, and interpreted. The notion of the electoral situation can be correlated with the term «political landscape», which is only partially related to actual geography but predominantly pertains to the comprehensive conditions of an electoral competition (the coordinate system) and the participants involved in this process. The article’s author illustrates how the electoral situation constructs synchronous and diachronic connections at various levels of political interaction. Notably, these connections are facilitated by political mythologems, which serve as unifying and integrative factors within the electoral chronotope. By examining these mythologems, the author highlights their role in shaping the narrative and symbolism surrounding elections, ultimately influencing the dynamics and outcomes of the electoral process. Overall, this article delves into the intricate relationship between elections and the spatio-temporal framework in which they occur. By emphasizing the significance of the electoral situation and its connection to the broader political landscape, the author sheds light on the multifaceted nature of electoral processes, enriching our understanding of democracy’s fundamental mechanisms.