Sztuka „permanentnego zdziwienia” . Wokół języka symboli w Sztuce znikania Bartka Konopki i Piotra Rosołowskiego

Author: Agnieszka Kamińska
Institution: Uniwersytet SWPS
Year of publication: 2018
Source: Show
Pages: 210-226
DOI Address: https://doi.org/10.15804/kie.2018.01.13
PDF: kie/119/kie11913.pdf

„Art disappearance” (2012)2 is a film by Bartosz Konopka and Piotr Rosołowski, qualified by the authors of the document, but not entirely located within the traditionally understood documentary3. „Art disappearance” combines various genres: classic dokument, found footage and mocumentary. The axis, around which the narrative of the film focuses, is in fact a romantic concept of messianism of the Polish nation by Adam Mickiewicz. Less obviously, however, it is inspired by anthropological reflection of Ryszard Kapuscinski. The author analyzed those topics, associations and inspiration appearing in the film which allow the reader to include „Art of disappearing” among the works of the complicated structure of intertextual references.

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