- Author:
Arkadiusz Lewicki
- E-mail:
arkadiusz.lewicki@uwr.edu.pl
- Institution:
Uniwersytet Wrocławski
- ORCID:
https://orcid.org/0000-0003-0484-2849
- Year of publication:
2019
- Source:
Show
- Pages:
22-35
- DOI Address:
https://doi.org/10.15804/kie.2019.03.02
- PDF:
kie/125/kie12502.pdf
Artykuł dotyczy sposobów ukazywania dekady lat osiemdziesiątych w polskim kinie najnowszym (w okresie 2007-2017). Autor wskazuje na cztery podstawowe kategorie filmów dotyczących ostatniej dekady PRL-u: „wielkie biografie” dotyczące kluczowych postaci historycznych, takich jak: Lech Wałęsa, Jerzy Popiełuszko czy Ryszard Kukliński; „małe biografie”, odnoszące się do losów osób powszechnie znanych, ale działających poza sferą polityczną, takich jak Zbigniew Religa czy rodzina Beksińskich; „filmy rozrachunkowe”, w których dekada stanu wojennego jest ukazana jako okres przede wszystkich różnego typu wyborów o charakterze polityczno-etycznym, które w taki czy inny sposób oddziałują na czasy współczesne. Ostatnią grupę można nazwać „filmami o codzienności”, odnoszą się one bowiem do „dekady Jaruzelskiego”, jednak pokazują ją nie od strony uwikłania w procesy historyczno-polityczne (choć w większości filmów odgrywają one rolę w życiu bohaterów), ale od strony problemów dnia codziennego.
- Author:
Iga Figarska-Bączyk
- E-mail:
iga.figarska.baczyk@gmail.com
- Institution:
Uniwersytet Warszawski
- Year of publication:
2015
- Source:
Show
- Pages:
49-60
- DOI Address:
https://doi.org/10.15804/IW.2015.06.03
- PDF:
iw/06/iw603.pdf
THE LOST MOTHERLAND IN MAGHREBIAN AUTHORS’ NOVELS: AMARA LAKHOUS AND AMOR DEKHIS
Currently, in Italy, the migration of individuals from the Maghreb has increased so dramatically that it is impossible to ignore. Accordingly, there has been an increase in the number of migrant writers originating from these countries. Researchers distinguish three stages of migrant literature, which are described in this article. this study offers a look at the writings of two Italianspeaking writers of Algerian origin: Amara Lakhous and Amor Dekhis. Both of these writers represent the third stage of Italian migrant literature, that is, the main feature of their writings is that they are fictional, rather than covering topics intensely connected to autobiography, which is typical of the first phrase of migrant literature. the decision to study these two authors in particular is due not only to their choice to write in the same genre (crime fiction) or to their ethnic origin, but, rather, it is due to the recurring theme in their works of the loss of their homeland. this article attempts to find similarities in the writings of Lakhous and Dekhis, such as their having chosen a new language in which to write; the modification of names; the personalisation of the women’s names and the meaning of this personalisation (Algyida, Ilaria, Bagià). Finally, this study explores the topic of homesickness, which is found in the books of both writers. Using Lakhous and Dekhis as examples, this article emphasises the fact that Italian migrant literature is not detached from contemporary Italian literature; indeed, it is an inseparable part of it.
- Author:
Marek Jeziński
- Institution:
Uniwersytet Mikołaja Kopernika w Toruniu
- Year of publication:
2014
- Source:
Show
- Pages:
248-262
- DOI Address:
https://doi.org/10.15804/kie.2014.03.13
- PDF:
kie/103/kie10313.pdf
The category of nostalgia is the element of artistic message frequently used in popular music, which influences the reception of a particular song. In their activity musicians refer to the musical past by employing cultural references and utilise fashions present in a certain environment for their own benefit. This category is present in lyrics and music, in the stage shows (performing live, festivals, TV shows) and promotional activities (interviews, promotional video clips for the songs). Such referring to tradition became a constant element of artistic communication, anchoring the music in the past and taking into account the cultural specificities. Definitional capturing of nostalgia is not entirely possible: research into this category require approaches which take into account the aspects of context important for decoding the cultural content. Interpretive tools used by semiology or cultural studies allow to depict the elements included in the form and content of music and lyrics. They indicate the presence of nostalgia as a category determining the reception of artistic work.